Auditions open · Batch 2026An advanced dance academy by Climb Kiddo
BEATS

Serious training for dancers who have outgrown the beginner floor — technique, repertoire and stage craft, six days a week.

Train like a professional
in Hip-Hop

Dance forms
0Dance forms
Hours a week
0Hours a week
Stage wins
0+Stage wins
Resident faculty
0Resident faculty
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TechniqueRepertoireBattlesChoreographyStage CraftConditioningTechniqueRepertoireBattlesChoreographyStage CraftConditioningTechniqueRepertoireBattlesChoreographyStage CraftConditioningTechniqueRepertoireBattlesChoreographyStage CraftConditioning
The Studio

Where the practice gets
seriously good.

Beats is the advanced wing of the Climb Kiddo family — a separate floor, a separate faculty, and a completely separate standard. Where the playschool nurtures first steps, Beats is built for dancers who already know the count and want the craft.

Mirrored sprung floors. Sound rigged for battles. Faculty who still compete. Come with the hours in — leave with the technique.

01

Placement by audition

No open enrolment. Every dancer is placed into a level by a faculty panel so the room always moves at one standard.

02

Syllabus, not sessions

Twelve-week cycles with graded technique, a set repertoire piece, and an assessed showing at the end of each cycle.

03

Stage time that counts

Competitive circuits, city showcases and the annual production — dancers perform, not just rehearse.

Disciplines

Seven forms.
One standard.

Each discipline runs its own graded syllabus. Dancers major in one and cross-train in a second — because the best hip-hop dancers in the room are usually the ones who also take ballet.

Hip-Hop

Grooves · Foundations · Freestyle

Contemporary

Release · Floorwork · Partnering

Ballet

Barre · Centre · Pointe prep

Bharatanatyam

Adavus · Abhinaya · Varnam

Jazz Funk

Attitude · Isolations · Performance

Breaking

Toprock · Footwork · Power

K-Pop

Cover · Formation · Camera
The Ladder

Four levels.
You audition into one.

Placement is by panel, reviewed at the end of every twelve-week cycle. Moving up is earned, never bought.

Level I

Foundation+

Ages 9–12/4 hrs / week

For dancers with two or more years behind them. Cleans up technique and builds the vocabulary the higher levels assume.

  • Graded technique barre
  • Rhythm & musicality lab
  • One showcase per cycle
Level II

Intermediate

Ages 12–16/8 hrs / week

The working level. Two disciplines, weekly repertoire, and the first taste of the competitive circuit.

  • Major + cross-train form
  • Repertoire block
  • Inter-school circuit
  • Strength & mobility
Level III

Advanced

Ages 15+/14 hrs / week

Pre-professional training. Assessed cycles, choreographic study, and stage time under real production conditions.

  • Assessed 12-week cycles
  • Choreography studio
  • National circuit
  • Audition coaching
Crew

Beats Company

By invitation/20+ hrs / week

The touring company. Selected from Level III, rehearsing the annual production and representing the academy on the road.

  • Company repertoire
  • Paid performances
  • Mentored teaching hours
Timetable

Six days
on the floor.

Studio A & B, Salt Lake. Sunday is rest — the good kind, the kind that keeps ankles alive.

16:30

Hip-Hop Foundations

Level I
18:00

Contemporary Technique

Level II
19:45

Company Rehearsal

Crew
The Stage

Rehearsal is
only half of it.

Four productions a year, a competitive circuit that runs from August, and a showreel we are quietly proud of.

Voices

What the floor says.

She joined at Level I barely able to hold a plié. Two cycles later she placed third at the state circuit. The difference is the syllabus — it never lets them coast.
Ipshita R.Parent · Level II dancer
The audition scared me. I'm glad it did. Everyone in my batch is at my level, so class actually moves.
Aditya S.Level III, Breaking major
Faculty who correct you properly are rare. Here they will stop the music for one wrist.
Naina G.Company member
We came from a chain studio where every class was a new routine. Beats teaches technique first — you can see it in her posture off the floor.
Sourav D.Parent · Level I dancer
She joined at Level I barely able to hold a plié. Two cycles later she placed third at the state circuit. The difference is the syllabus — it never lets them coast.
Ipshita R.Parent · Level II dancer
The audition scared me. I'm glad it did. Everyone in my batch is at my level, so class actually moves.
Aditya S.Level III, Breaking major
Faculty who correct you properly are rare. Here they will stop the music for one wrist.
Naina G.Company member
We came from a chain studio where every class was a new routine. Beats teaches technique first — you can see it in her posture off the floor.
Sourav D.Parent · Level I dancer
Auditions

Show us
ninety seconds.

Bring a prepared piece of any length — we will watch about a minute and a half — then a short taught combination on the floor. Panel results within three days, with written feedback either way.

Next panel
Second Saturday, monthly · 15:00
Studio
Beats Studio A, Salt Lake, Kolkata
Front desk
+91 70037 08969

Request a slot

Tell us where the dancer is now. We will place the audition.

Primary form

Level placement is decided by the panel, not by the form.